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Heavy Metal and Hard Rock interviews with the biggest names in heavy music take place right here on THE LOADED RADIO PODCAST. Hosted by Scott Penfold, the show also looks at the week in hard rock and heavy metal news as well as engages in discussion about what's happening this week in heavy music.

Feb 3, 2024

JOB FOR A COWBOY frontman Jonny Davy and EXIT EDEN co-vocalist Anna Brunner join us for this week's edition of The Loaded Radio Podcast

This week on the Loaded Radio Podcast Scott Penfold sits down first with JOB FOR A COWBOY vocalist Jonny Davy to discuss the death metal outfit's latest album "Moon Healer".

Moon Healer” is set for release on February 23rd via Metal Blade Records.

The release marks JOB FOR A COWBOY‘s first new full-length in a decade!

Moon Healer” is a vivid illustration of what happens when creativity, aggression, and volatility tangle for the first time in years. Like the band’s critically adored, 2014-released “Sun Eater” offering, “Moon Healer” is musically multifaceted, unabashedly brutal, and compellingly conceptual. Featuring a newly refreshed and reinspired lineup of frontman and co-founder Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis, the band seamlessly picks up the mantle where JOB FOR A COWBOY‘s “Sun Eater” left off.

Compared to past offerings, “Moon Healer” is as bone-crushing as JOB FOR A COWBOY has ever been. But it’s more consistent and conceptual, composed with the utmost enthusiasm and confidence. “The evolution of our sound has become a big part of the band,” Davy says. “As we mature as musicians, our tastes and interests naturally expand. With age comes more experience and ideas that we wouldn’t have considered in our earlier years.”

Moon Healer” was produced by Jason Suecof (DEATH ANGEL, THE BLACK DAHLIA MURDER, DEICIDE) at his Audiohammer Studios and is the first JOB FOR A COWBOY album to feature session drummer Navene Koperweis (ex-Animosity). Davy previously worked with Koperweis in the progressive death metal side project FLESHWROUGHT, which released Dementia/Dyslexia through Metal Blade in 2010. Koperweis also worked as a session drummer for MACHINE HEAD and WHITECHAPEL and is currently in the band ENTHEOS, whose third full-length came out on Metal Blade in March 2023.

In the second portion of the podcast, Scott sits down with Anna Brunner from EXIT EDEN.

Symphonic metal unit EXIT EDEN, consisting of Clémentine Delauney (VISIONS OF ATLANTIS), Anna Brunner (LEAGUE OF DISTORTION) and Marina La Torraca (PHANTOM ELITE) recently released their second album, “Femmes Fatales” via Napalm Records“Femmes Fatales” includes 12 songs in total — half covers, half original compositions.

EXIT EDEN‘s new release follows the band’s debut, 2017’s “Rhapsodies In Black”, which garnered millions of video views (12 million on EXIT EDEN‘s cover of Bonnie Tyler‘s “Total Eclipse Of The Heart” alone). Previous singles from “Femmes Fatales”“Run!” (featuring ex-NIGHTWISH bassist/vocalist Marko Hietala) and “Separate Ways” (JOURNEY cover) have already surpassed a million views since their respective releases in October and December 2023.

Now performing as a trio, EXIT EDEN‘s new full-length follows the path of its predecessor, as it contains six cover versions of famous cross-generational super-hits, but this time also shines by offering six original compositions. With one exception (“Dying In My Dreams”, co-written by Marina La Torraca),the remaining five original songs were brought to life by Brunner and Hannes Braun (KISSIN’ DYNAMITE),who is also responsible for recording, production and mixing, whereas the album was mastered by Jacob Hansen (DELAINAMARANTHEVOLBEATDESTRUCTION and many more).

Self-confidently leading straight into the tempting world of EXIT EDEN, opening “Femme Fatale”“Buried In The Past” and “Hold Back Your Fear” conjure a mystical atmosphere with strings and orchestral elements, topped by complementary vocals uniting the sonic diversity of the all-femme trio. “Dying In My Dreams” and album closing “Elysium” set the tone as captivating mid-tempo tracks with intense choruses that speak straight to the heart.